The Counter-Revolution Has Begun http://ping.fm/kDhJ7

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It's been so quiet lately - what is happening with Cole's Notes and The Real Cole Cooper?

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Well, here I am again—wrestling with my inbox! I’m currently staring down about 2,700 emails spread across four different accounts, so it’s high time for a digital spring cleaning. To make things a whole lot simpler going forward, I’m streamlining how we stay in touch. If you’re reaching out about Cole’s Notes or my upcoming Substack pieces, you can find me right here at cole.cooper@gmail.com.
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Much Ado about Racism

This Editorial from the National Post is so good – I’m going to reproduce it all here:   Much has been made of a recent Léger Marketing poll regarding racism in Canada. The poll, conducted on behalf of the Association for Canadian Studies and the Canadian Race Relations Foundation, reports that 68% of Canadians have heard a racist comment over the past year, while 31% of Canadians have witnessed a racist act. Predictably, the federal government was called upon to spare no expense curing this social ill. We are skeptical of polls commissioned by agencies with a vested interest in the result: It is important to remember that the Canadian Race Relations Foundation, like the larger human-rights industry of which it is part, justifies its existence on the dubious claim that racism is widespread in Canada. Our skepticism is compounded by the fact that this poll doesn’t track respondents’ first-hand experiences with racism; it merely tracks the broader question of whether the...
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Shaping the Digital Clay Cole's Note: The Blog has been on Hiatus since December as I've been busy building the new version of Cole's Notes Blog and Substack using the new tools.  This article is the first of the new articles for the Substack under construction at : https://thesundayjournalist2653.substack.com/ By Mark Coleman For the modern solo publisher, the creative process often feels less like journalism and more like digital archaeology. Research is buried in Google Docs, high-resolution photos are trapped in an iPad camera roll, and final drafts are scattered across disparate drives. This fragmentation creates friction that stalls production and kills creative momentum. The goal of the "Single Pane of Glass" is to eliminate this chaos by creating a unified workspace where research, editing, and publishing coexist. By centralizing these functions, an independent journalist can move from being "scattered" to "streamlined," operating a sop...
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